TOP STORY: Web for the Holidays
While the rest of you are involved in various sorts of Christmas rivalry (er... revelry), I am going to be working on the page. Expect a massive SDOAP section (For all three plays, including my own) that gave me info and a newsletter (The real one that never comes out) archive, including the new one if it ever come out. If you want stuff on the page, the Holidays are the time to do it for me (Since I am Zennist and don't have a functional family). I would talk more, but I have nothing more to say, HAPPY BOXING DAY!An open letter to my Secret Santa
This article has been censored by the man. Always clean your disks, kids. I just want to say (Totally unsolicited), that Sunny (I thought I might have been Fiori again, so I printed the slanderous remarks because he reads the newsletter) ended up being a great secret Santa (And I'm sorry I almost threw away the army men). I only did it because I wanted to get Fiori if it was him, plus it was a joke. It said, love, Dirk A. Keaton in the end. That was the funny part. I say it wasn't an attack, THE MAN has no sense of humour.
Album Review: "Feliciano!" by Jose Feliciano
Spencer and I were in Half Price Books the other day (unplanned, we just bumped into each other). While there, I commented on the crappiness of the $0.50 pile. I was yearning for the days where I could get Neil Young, Hindu Love Gods, and Gorky Park down below. Then, like a shining beacon came Feliciano! The cover said FEATURING Light My Fire. It was plastered with several delicately painted images of a man in sunglasses and a bowling shirt picking a classical guitar. "A flamenco guitarist playing light my fire I exclaimed," I greedily dashed home with the package and put the record on my GE portable turntable. It was heaven. Feliciano! is more than just your standard classical guitar mess (My love for which has been expressed in more than one review), it is an ingenious compilation of modern pop standards arranged in a Spanish classical guitar style. It begins with a seductive flamenco version of "California Dreamin'". For some reason, it has been a favorite of cover bands for years (A punk version of it was quite popular two years ago). Never has it been done like this. He begins with an arpeggiated flourish, then slowly croons out the lines, paying attention to every nuance that blasts Mammas and Pappas alike with soul, then the time quadruples, Feliciano rev -erts into Spanish and pounds out the third verse. It's all recorded live, but you couldn't tell. He plays and sings so artfully. He could easily be an accomp -lished singer, but his guitar virtuosity is just as potent. After I pulled my jaw off the floor it went into the advertised song, "Light My Fire," or should I say, "Light My Bossa." That's right, Bossa Nova. Rattling Latin percussion and gentle guitar totally eradicate the song's status as the crux of stoner rock. While the limited lyric was intentional (So Morrison could focus on the organ), Feliciano, does some of his most powerful singing. A Stevie Wonder-esque style, he plays with the "Light My Fire" lyric, using it as a plat -form to improv off of. The triumph of Light my Fire goes to balladry with a heart-rending rendition of Don't Let the Sun Catch You Crying. Here he plays with the use of space, stretching the song's 170 seconds into an eternity. Then there's his courtship with lesser known Beatles songs. He starts off with In My Life. Here he takes some of the Beatles' best lyrics and flings them out of Brit-pop. He makes the song his own, while remaining reverent to the poetry within. Then, he moves onto And I Love Her. While the lyrics seem to be the best Feliciano vehicle, he ignores it entirely by playing the vocal line along with the guitar part. However, it is beyond mere Muzak. Here his virtuo -sity is best proved. As a fingerpicker and listener of fingerpicked records, I was beside myself. There was no way it could be an overdub, but I have never heard a live recording that seemed some multitracked. I swear to God, to play that piece I would have to split into two. His third Beatles song is a few tracks later: Here, There, Everywhere. I never liked that song much, but he Felicianifies that sucker into pure gold. The best oddity, however, has to be the bolero version of (There's) Always Something There to Remind Me. The song immediately perks up your ears becau -se you recognize the lyrics, but can't place them. When the chorus kicks in, you are beside yourself. The origional Always... was a bit too loose to fully discern what is being sung. The song's complete out-of-context cover blows your mind because IT IS GOOD. That's the Feliciano magic. He takes songs that you know and twists them around into covers that can stand on themselves without any knowlege or appreciation of the origional. He is an artist of the highest caliber, for I could give him Rumble in Brigton, Oh Pretty Woman, Hey Ho Lets Go, or The Fifth Symphony, and it'd come out Feliciano. There are many more great tracks on the album. No clunkers. The easiest five penguins I have ever given. If you don't believe me, I'm bringing it to the Gala. SCORE:of 5 penguins.
Haiku For the Taco Bell Chicken Quesedia
I wonder if Feliciano will go To Taco Bell Feat of Strength #12
The Feat of Strength competition is a test to see how ballin' my Thespian brothers are. Each week's winner (The first to mail me the correct/best answer) will recieve a nominal prize. This week's prize is: Vice-Presidency in the Feliciano cult. This week's feat is: Feliciano is quite mysterious. Write the best fake biogrpahy of him you can, including: